The use of pre-existing music on television and film soundtracks rarely escapes temporal lunges, halts and breaks caused by dislocated music. Notable exceptions being Woody Allen, Dennis Potter, Stanley Kubrick and Martin Scorsese. The reverse can be equally powerful, an exclusive musical score, Adolph Deutsch (The Apartment ), Bernard Herrmann (Taxi Driver) Henry Mancini (Touch of Evil). At least these musical scores though manipulative have purpose beyond being audio mayonnaise. A John William's swelling of strings might piss you off something rotten - but far worse is almost hearing the Rolling Stones squeaking from a flush mounted ceiling loudspeaker whilst walking between the chilled frozen yoghurt display and the fresh fruit aisle in Gristedes.